Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Crime and Punishment by Fyodor Dostoyevsky (book club recommendations TXT) 📖
- Author: Fyodor Dostoyevsky
Book online «Crime and Punishment by Fyodor Dostoyevsky (book club recommendations TXT) 📖». Author Fyodor Dostoyevsky
And how did “the certificate of merit” come to be on the bed beside Katerina Ivanovna? It lay there by the pillow; Raskolnikov saw it.
He walked away to the window. Lebeziatnikov skipped up to him.
“She is dead,” he said.
“Rodion Romanovitch, I must have two words with you,” said Svidrigaïlov, coming up to them.
Lebeziatnikov at once made room for him and delicately withdrew. Svidrigaïlov drew Raskolnikov further away.
“I will undertake all the arrangements, the funeral and that. You know it’s a question of money and, as I told you, I have plenty to spare. I will put those two little ones and Polenka into some good orphan asylum, and I will settle fifteen hundred roubles to be paid to each on coming of age, so that Sofya Semyonovna need have no anxiety about them. And I will pull her out of the mud too, for she is a good girl, isn’t she? So tell Avdotya Romanovna that that is how I am spending her ten thousand.”
“What is your motive for such benevolence?” asked Raskolnikov.
“Ah! you sceptical person!” laughed Svidrigaïlov. “I told you I had no need of that money. Won’t you admit that it’s simply done from humanity? She wasn’t ‘a louse,’ you know” (he pointed to the corner where the dead woman lay), “was she, like some old pawnbroker woman? Come, you’ll agree, is Luzhin to go on living, and doing wicked things or is she to die? And if I didn’t help them, Polenka would go the same way.”
He said this with an air of a sort of gay winking slyness, keeping his eyes fixed on Raskolnikov, who turned white and cold, hearing his own phrases, spoken to Sonia. He quickly stepped back and looked wildly at Svidrigaïlov.
“How do you know?” he whispered, hardly able to breathe.
“Why, I lodge here at Madame Resslich’s, the other side of the wall. Here is Kapernaumov, and there lives Madame Resslich, an old and devoted friend of mine. I am a neighbour.”
“You?”
“Yes,” continued Svidrigaïlov, shaking with laughter. “I assure you on my honour, dear Rodion Romanovitch, that you have interested me enormously. I told you we should become friends, I foretold it. Well, here we have. And you will see what an accommodating person I am. You’ll see that you can get on with me!”
A strange period began for Raskolnikov: it was as though a fog had fallen upon him and wrapped him in a dreary solitude from which there was no escape. Recalling that period long after, he believed that his mind had been clouded at times, and that it had continued so, with intervals, till the final catastrophe. He was convinced that he had been mistaken about many things at that time, for instance as to the date of certain events. Anyway, when he tried later on to piece his recollections together, he learnt a great deal about himself from what other people told him. He had mixed up incidents and had explained events as due to circumstances which existed only in his imagination. At times he was a prey to agonies of morbid uneasiness, amounting sometimes to panic. But he remembered, too, moments, hours, perhaps whole days, of complete apathy, which came upon him as a reaction from his previous terror and might be compared with the abnormal insensibility, sometimes seen in the dying. He seemed to be trying in that latter stage to escape from a full and clear understanding of his position. Certain essential facts which required immediate consideration were particularly irksome to him. How glad he would have been to be free from some cares, the neglect of which would have threatened him with complete, inevitable ruin.
He was particularly worried about Svidrigaïlov, he might be said to be permanently thinking of Svidrigaïlov. From the time of Svidrigaïlov’s too menacing and unmistakable words in Sonia’s room at the moment of Katerina Ivanovna’s death, the normal working of his mind seemed to break down. But although this new fact caused him extreme uneasiness, Raskolnikov was in no hurry for an explanation of it. At times, finding himself in a solitary and remote part of the town, in some wretched eating-house, sitting alone lost in thought, hardly knowing how he had come there, he suddenly thought of Svidrigaïlov. He recognised suddenly, clearly, and with dismay that he ought at once to come to an understanding with that man and to make what terms he could. Walking outside the city gates one day, he positively fancied that they had fixed a meeting there, that he was waiting for Svidrigaïlov. Another time he woke up before daybreak lying on the ground under some bushes and could not at first understand how he had come there.
But during the two or three days after Katerina Ivanovna’s death, he had two or three times met Svidrigaïlov at Sonia’s lodging, where he had gone aimlessly for a moment. They exchanged a few words and made no reference to the vital subject, as though they were tacitly agreed not to speak of it for a time.
Katerina Ivanovna’s body was still lying in the coffin, Svidrigaïlov was busy making arrangements for the funeral. Sonia too was very busy. At their last meeting Svidrigaïlov informed Raskolnikov that he had made an arrangement, and a very satisfactory one, for Katerina Ivanovna’s children; that he had, through certain connections, succeeded in getting hold of certain personages by whose help the three orphans could be at once placed in very suitable institutions; that the money he had settled on them had been of great assistance, as it is much easier to place orphans with some property than destitute ones. He said something too about Sonia and promised to come himself in a day or two to see Raskolnikov, mentioning that “he would like to consult with him, that there were things they must talk over....”
This conversation took place in the passage on the stairs. Svidrigaïlov looked intently at Raskolnikov and suddenly, after a brief pause, dropping his voice, asked: “But how is it, Rodion Romanovitch; you don’t seem yourself? You look and you listen, but you don’t seem to understand. Cheer up! We’ll talk things over; I am only sorry, I’ve so much to do of my own business and other people’s. Ah, Rodion Romanovitch,” he added suddenly, “what all men need is fresh air, fresh air... more than anything!”
He moved to one side to make way for the priest and server, who were coming up the stairs. They had come for the requiem service. By Svidrigaïlov’s orders it was sung twice a day punctually. Svidrigaïlov went his way. Raskolnikov stood still a moment, thought, and followed the priest into Sonia’s room. He stood at the door. They began quietly, slowly and mournfully singing the service. From his childhood the thought of death and the presence of death had something oppressive and mysteriously awful; and it was long since he had heard the requiem service. And there was something else here as well, too awful and disturbing. He looked at
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