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The Project Gutenberg EBook of The Poison Tree, by Bankim Chandra Chatterjee

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Title: The Poison Tree
       A Tale of Hindu Life in Bengal

Author: Bankim Chandra Chatterjee

Translator: Miriam S. Knight

Release Date: January 4, 2006 [EBook #17455]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK THE POISON TREE ***




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THE POISON TREE

A Tale of Hindu Life in Bengal

 

 

BY BANKIM CHANDRA CHATTERJEE

 

TRANSLATED BY

MIRIAM S. KNIGHT

 

WITH A PREFACE BY

EDWIN ARNOLD, C.S.I.

 

 

London

T. FISHER UNWIN
26 PATERNOSTER SQUARE
1884
Decorative Image PREFACE
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had been asked by the accomplished lady who has translated the subjoined story to introduce it with a few words of comment to the English public. For that purpose I commenced the perusal of the proof sheets; but soon found that what was begun as a literary task became a real and singular pleasure, by reason of the author's vivid narrative, his skill in delineating character, and, beyond all, the striking and faithful pictures of Indian life with which his tale is filled. Nor do these qualities suffer, beyond what is always inevitable, in the transfer of the novel from its original Bengali to English. Five years ago, Sir William Herschel, of the Bengal Civil Service, had the intention of translating this Bisha Briksha; but surrendered the task, with the author's full consent, to Mrs. Knight, who has here performed it with very remarkable skill and success. To accomplish that, more was wanted than a competent knowledge of the language of the original and a fluent command of English: it was necessary to be familiar with the details of native life and manners, and to have a sufficient acquaintance with the religious, domestic, and social customs of Bengali homes. Possessing these, Mrs. Knight has now presented us with a modern Hindu novelette, smoothly readable throughout, perfectly well transferred from its vernacular (with such omissions as were necessary), and valuable, as I venture to affirm, to English readers as well from its skill in construction and intrinsic interest as for the light which it sheds upon the indoor existence of well-to-do Hindus, and the excellent specimen which it furnishes of the sort of indigenous literature happily growing popular in their cities and towns.

The author of "The Poison Tree" is Babu Bankim Chandra Chatterjee, a native gentleman of Bengal, of superior intellectual acquisitions, who ranks unquestionably as the first living writer of fiction in his Presidency. His renown is widespread among native readers, who recognize the truthfulness and power of his descriptions, and are especially fond of "Krishna Kanta's Will," "Mrinalini," and this very story of the Bisha Briksha, which belongs to modern days in India, and to the new ideas which are spreading—not always quite happily—among the families of the land. Allowance being made for the loss which an original author cannot but sustain by the transfer of his style and method into another language and system of thought, it will be confessed, I think, that the reputation of "Bankim Babu" is well deserved, and that Bengal has here produced a writer of true genius, whose vivacious invention, dramatic force, and purity of aim, promise well for the new age of Indian vernacular literature.

It would be wrong to diminish the pleasure of the English reader by analysing the narrative and forestalling its plot. That which appears to me most striking and valuable in the book is the faithful view it gives of the gentleness and devotion of the average Hindu wife. Western people are wont to think that because marriages are arranged at an early age in India, and without the betrothed pair having the slightest share in the mutual choice, that wedded love of a sincere sort must be out of the question, and conjugal happiness very rare. The contrary is notably the case. Human nature is, somehow, so full of accidental harmonies, that a majority among the households thus constituted furnish examples of quiet felicity, established constancy, and, above all, of a devotedness on the part of the Hindu women to their husbands and children, which knows, so to speak, no limit. The self-sacrifice of Surja Mukhi in this tale would be next to impossible for any Western woman, but is positively common in the East, though our author so well displays the undoubted fact that feminine hearts are the same everywhere, and that custom cannot change the instincts of love. In Debendra the Babu paints successfully the "young Bengalee" of the present day, corrupted rather than elevated by his educational enlightenment. Nagendra is a good type of the ordinary well-to-do householder; Kunda Nandini, of the simple and graceful Hindu maiden; and Hira, of those passionate natures often concealed under the dark glances and regular features of the women of the Ganges Valley. In a word, I am glad to recommend this translation to English readers, as a work which, apart from its charm in incident and narrative, will certainly give them just, if not complete, ideas of the ways of life of their fellow-subjects in Bengal.

Edwin Arnold, C.S.I.

London, September 10, 1884.

 

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Decorative Image CONTENTS.   page CHAPTER I. NAGENDRA'S JOURNEY BY BOAT 1   CHAPTER II. "COMING EVENTS CAST THEIR SHADOWS BEFORE" 13   CHAPTER III. OF MANY SUBJECTS 23   CHAPTER IV. TARA CHARAN 31   CHAPTER V. OH! LOTUS-EYED, WHO ART THOU? 37   CHAPTER VI. THE READER HAS CAUSE FOR GREAT DISPLEASURE 47   CHAPTER VII. HARIDASI BOISNAVI 51   CHAPTER VIII. THE BABU 63   CHAPTER IX. SURJA MUKHI'S LETTER 73   CHAPTER X. THE SPROUT 81   CHAPTER XI. CAUGHT AT LAST 95   CHAPTER XII. HIRA 101   CHAPTER XIII. NO! 109   CHAPTER XIV. LIKE TO LIKE 117   CHAPTER XV. THE FORLORN ONE 127   CHAPTER XVI. HIRA'S ENVY 137   CHAPTER XVII. HIRA'S QUARREL. THE BUD OF THE POISON TREE 145   CHAPTER XVIII. THE CAGED BIRD 155   CHAPTER XIX. DESCENT 163   CHAPTER XX. GOOD NEWS 171   CHAPTER XXI. SURJA MUKHI AND KAMAL MANI 183   CHAPTER XXII. WHAT IS THE POISON TREE? 191   CHAPTER XXIII. THE SEARCH 195   CHAPTER XXIV. EVERY SORT OF HAPPINESS IS FLEETING 201   CHAPTER XXV. THE FRUIT OF THE POISON TREE 205   CHAPTER XXVI. THE SIGNS OF LOVE 213   CHAPTER XXVII. BY THE ROADSIDE 221   CHAPTER XXVIII. IS THERE HOPE? 227   CHAPTER XXIX. HIRA'S POISON TREE HAS BLOSSOMED 235   CHAPTER XXX. NEWS OF SURJA MUKHI 239   CHAPTER XXXI. THOUGH ALL ELSE DIES, SUFFERING DIES NOT 249   CHAPTER XXXII. THE FRUIT OF HIRA'S POISON TREE 259   CHAPTER XXXIII. HIRA'S GRANDMOTHER 265   CHAPTER XXXIV. A DARK HOUSE: A DARK LIFE 271   CHAPTER XXXV. THE RETURN 277   CHAPTER XXXVI. EXPLANATION 291   CHAPTER XXXVII. THE SIMPLETON AND THE SERPENT 295   CHAPTER XXXVIII. THE CATASTROPHE 303   CHAPTER XXXIX. KUNDA'S TONGUE IS LOOSENED 307   CHAPTER XL. THE END 311     GLOSSARY OF HINDU WORDS 315

 

 

For the assistance of the reader, the names of the
principal characters in the tale are given—

Nagendra Natha Datta A wealthy Zemindar. Surja Mukhi His wife. Debendra Datta Cousin to Nagendra. Srish Chandra Mittra Accountant in a Merchant's Office Kamal Mani His wife, sister to Nagendra. Satish Their baby boy. Tara Charan Adopted brother of Surja Mukhi. Kunda Nandini An Orphan Girl. Hira Servant in Nagendra's household.


Decorative Image CHAPTER I. NAGENDRA'S JOURNEY BY BOAT.
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agendra Natha Datta is about to travel by boat. It is the month Joisto (May—June), the time of storms. His wife, Surja Mukhi, had adjured him, saying, "Be careful; if a storm arises be sure you fasten the boat to the shore. Do not remain in the boat." Nagendra had consented to this, otherwise Surja Mukhi would not have permitted him to leave home; and unless he went to Calcutta his suits in the Courts would not prosper.

Nagendra Natha was a young man, about thirty years of age, a wealthy zemindar (landholder) in Zillah Govindpur. He dwelt in a small village which we shall call Haripur. He was travelling in his own boat. The first day or two passed without obstacle. The river flowed smoothly on—leaped, danced, cried out, restless, unending, playful. On shore, herdsmen were grazing their oxen—one sitting under a tree singing, another smoking, some fighting, others eating. Inland, husbandmen were driving the plough, beating the oxen, lavishing abuse upon them, in which the owner shared. The wives of the husbandmen, bearing vessels of water, some carrying a torn quilt, or a dirty mat, wearing a silver amulet round the neck, a ring in the nose, bracelets of brass on the arm, with unwashed garments, their skins blacker than ink, their hair unkempt, formed a chattering crowd. Among them one beauty was rubbing her head with mud, another beating a child, a third speaking with a neighbour in abuse of some nameless person, a fourth beating clothes on a plank. Further on, ladies from respectable villages adorned the gháts (landing-steps) with their appearance—the elders conversing, the middle-aged worshipping Siva, the younger covering their faces and plunging into the water; the boys and girls screaming, playing with mud, stealing the flowers offered in worship, swimming,

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